OPERNBALL

... panem et circenses ... or let us rejoice ... 

photo Ctibor Bachratý 

 

Concept, direction:                 Petra Fornayová

Creation and interpretation:  Péter Cseri, Soňa Ferienčíková, Petra Fornayová, Monika Haasová, Adam Hanuljak, Richard Imrich, Jana Štefániková

Dramaturgy:                           Peter Šulej

Video:                                     Adam Hanuljak, Jakub Pišek 

Technical direction:                Jakub Pišek

Light design:                           Ints Plavnieks

Costumes:                               Iveta Haasová

Texts:                                      Michal Habaj_Capuut Mortum, Peter Macsovszky_ Santa Panica, Peter Šulej_Nodes

Music:                                     Martin Burlas,  Antonio Vivaldi, Jamka, Casi Cada Minuto, George Bizet, Phillip Glass

Production:                             AST

Premiere:                                Febr 12, 2016, Bratislava, A4 – space for contemporary art

Reprises:                                 International Theatre Festival Divadelná Nitra 2016, Kiosk Festival 2016, A4 Bratislava, etc.

Project was supported by the Ministry of Culture of Slovakia, by the Centre of Choreographic Research SE.S.TA in  Žďár nad Sázavou-Czech Republic, Literary Fund of Slovakia,  Balassi institute in Bratislava and  A4 – space for contemporary art in Bratislava.    

Opernball is a metaphor of a closed system professing a special hierarchy and values. It is a critique of neo-liberal approach applied to anything without distinction. What it means to be / to work outside the system or vice versa - in a system  offered  by the society ? What / who is in ? Fear of finding ourselves outside the supporting system is influencing our decisions.  Is the art  something our society does need? Is this the art? 

Trailer: 

http://www.nitrafest.sk/domov/program-2016/hlavny-program-2016/streda/opernball/

https://vimeo.com/156307351

Reviews:  

“On the Slovak dance scene  rarely appears so fresh, clever and - at the same time - thematically anchored work.”

Dáša Čiripová, KOD, contemporary theatre magazine, Slovak Theatre Institute, 09/2016